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Red Emporer – Merrill Girrabul

$375.00 inc. GST

Merrill is a Kunwinjku fabric designer/printer and weaver who lives in Gunbalanya in West Arnhem Land in the Northern Territory of Australia. Merrill was taught by her mother, Jill Nganjmirra, a renowned teacher of Kunwinjku culture, language and weaving. Merrill has a beautiful light touch and creates graceful weavings.

Made from Pandanus spiralis fibre, natural dyes and native cane.

Dimensions: 20 cm across and 45 cm in length.

Pandanus weavings are 100% sustainably produced.

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In stock

Description

About Pandanus weaving

Contemporary Arnhem Land weavers are renowned for their beautifully executed Pandanus weavings and use of local dyes to create a wide palette of colours. Only women collect and process Pandanus. People often ask about how weavings are priced and we explain the various laborious and time consuming processes involved in creating a weaving.

Collecting Pandanus

This is the first part of the process. Only the new growth (erect shoots emerging from the top of the tree) is used and the ladies use a ‘hook stick’ to harvest as they are usually high in the area. It requires strength, skill and knowledge of which trees/places yield the best source. Pandanus grows best in areas that experience seasonal dampness or are near watercourses.  Harvesting is easiest in the wet season when Pandanus trees everywhere produce new growth.

Stripping

There are a few steps to stripping Pandanus and it is surprisingly difficult to do. An experienced person makes it look easy! On either side of the leaf are thorns/barbs running in the opposite direction to the stripping action and these need to be avoided. A portion of the leaf is stripped from the top to the base to yield a long piece of moist fibre. Then the outer edges (with barbs) are removed and the remaining fibre is also retained. Each leaf yields two lengths of slightly different thickness and quality. These are then put aside to dry or be dyed.

Dyeing

This is almost always done over an open fire in large pots. Colours may be roots, berries, flowers or, in the case of green, a part of the Pandanus plant. Some of the dyes are seasonal and/or very location specific. Things may be added to the dye mix to strengthen and change colours, such as ash. The weavers take great care and pride in creating vivid colours and often will trade dyes and additives. The usual time to dye is immediately after the Pandanus has been stripped.

Weaving

A range of traditional, borrowed and innovated weaving techniques are used in contemporary Pandanus weavings. Larger sculptures are made with a jungle cane structure and infilled with lace like weaving. Smaller sculptures use Pandanus fibre for the framework as well.

Mats

Traditional mats are used for a variety of purposes ranging from the utilitarian to the ceremonial. They can be made flat or conical, small and large. In their flattened form, they can be used to sleep on or for women’s business, thus mats have a particular relationship to female experience and the cycles of life. As an upright cone (conical), mats are regularly used to shield sleeping babies from mosquitos and flies, and to cover sacred objects of ritual significance. They can also be used for blocking creeks to divert fish into fish traps and for wrapping and rinsing food in water.

 

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